The work method to which Andrej is almost obsessively committed is a classical pen and ink drawing, with watercolour batches and it speaks of generational exceptionalism of the artist in the field of creativity with a great influx of digital technology.

- Andrej Konopek

Towers are built from inside II. 100x70
Profilfoto_Andrej_Konopek_beskåret_.jpg
Adaptation II. 100x70 cm. 2017. Ink and
Blood of light 4. 100x70 cm. Ink and oil
Sada sile 2. 140x200 cm. 2015..jpg
Blood of light 1. 100x70 cm. Ink and oil
Towers are built from inside XIV. 100x70
Towers are built from inside IV. 100x70
Towers are built from inside X. 70x50 cm
Towers are built from inside III. 100x70
Around fire_ All of weight 6.JPG
Around fire_ All of weight 7.JPG
Navlacenjeduse 1.60x200 cm. 2016..jpg
Around fire _ All of weight 3.JPG
Around fire_ All of weight 5.JPG
Navlacenje duse 5. 35x100 cm. 2016..jpg
Towers are built from inside VI. 70x50 c
Blood of light 5. 100x70 cm. Ink and oil
Blood of light 2. 100x70 cm. Ink and oil
Towers are built from inside VII. 70x50
Towers are built from inside I. 100x70 c
Around fire. All of weight 1.JPG
Around fire _ All of weight 2.JPG
60x200   navlacenje duse 2     2016.jpg
Announcements 1. Ink. 100x70 cm. 2016..j
Adaptation I. 100x70 cm. 2017. Ink and
Towers are built from inside V. 100x70 c
Blood of light 8. 100x70 cm. Ink and oil
Sada sile 1. 140x200 cm. 2015..jpg
Around fire _ All of weight 4.jpg
Blood of light 9. 100x70 cm. Ink and oil
Navlacenje duse 3. 35x100 cm. 2016.jpg

Andrej Konopek

First encounter with the drawing opus of Andrej Konopek from the cycle Towers are built from inside (shown in the gallery SULUJ 201), has initiated, paradoxically, an impression of the naturalness of the world in which peculiar creatures that emerged from the ground are moving, touching, actively inhabiting. Instead of shiver and gloom, because the creatures had long limbs and short bodies, strange flat faces, tiny eyes and bulky ears, the whole cycle radiated with incredible vitality, even the organization of a world that dwells within devastated landscapes and atmosphere, far from the recognizable natural landscape contours. The artist's appearance, a young, elegant creator, communicative, made a kind of a counterpoint to the drawings originating from deep layers of the psyche, evidently during a long process of introspection, a secret dialogue De Profundis of a closed realm of intimacy, where dreams and reality freely touch.

C.V.

  

  • Born in 1987 in Belgrade, Serbia.

  • Graduated at the Faculty of Applied Arts, University of Belgrade, Department of Painting.

  • Member of ULUS (Association of Fine Artists of Serbia) since 2013.

  • Collaborating with Atelier Olschinsky (Vienna),

  • His works are in private collections in Serbia, Sweden, USA, Austria and Belgium.

  • Works are published in several books about drawing and collection monographies.

  • Presenting contemporary Serbian art in Brussels / Contemporary Belgrade Brussels /

  • Lives and works in Belgrade.

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Solo exhibitions

  • Landscapes of heart, Childrens cultural center Belgrade, 2013

  • Celestial mechanics, Cultural center “Stevan Mokranjac” Negotin, 2014

  • Drawings, Salon Shamliza, Belgrade 2015

  • Vision of birth I, Cultural center Čukarica, Belgrade, 2015

  • Vision of birth II, Blok gallery, Belgrade, 2016

  • Contemporary Belgrade/Brussels , Brussels, Belgium, 2016

  • Drawings, Gallery Trag, Belgrade, 2016

  • Awakeness is water, Gallery Meander, Apatin, 2017

  • Extraction de la lumière, Gallery Camille, Gisors, France, 2017

  • Towers are built from inside, SULUJ Gallery, Belgrade, 2017

  • Extraction of light, Gallery Milorada Bate Mihailovića, Cultural center Pančevo, 2017

  • Blood of light, Gallery N.eon, Belgrade 2018

  • Around fire , Nlb Bank Nlb gallery, Belgrade, 2019

Gallery Sapere Aude.

Ved Glyptoteket 6. 1575 Copenhagen V. Denmark.

Phone: +0045 23 67 02 06. Email: info@gallerysapereaude.com

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